'Experimental Film requires a different kind of spectatorship.' Has this been your experience? [35]
Un Chien Andalou, the infamous 1929 surrealist short film from Luis Bunuel and Salvador Dali, attests to this. Now add your personal response and discussion of spectatorship issues
Chris Marker became known internationally for the short film La Jetée (1962). It tells of a post-nuclear war experiment in time travel by using a series of filmed photographs developed as a photomontage of varying pace, with limited narration and sound effects. Now add your personal response and discussion of spectatorship issues
Maya Deren’s Meshes of the Afternoon (1943) is a work that maintains all of the mystery, tranquility, unpredictability, and personal attachment that is ever present within the world of dreams. Now add your personal response and discussion of spectatorship issues
A good response will:
- Take into account the technical elements of cinema construction
- Be aware of the themes of film (an ability to construct meaning)
- Acknowledge that the film will challenge the spectator
- Discuss the techniques that the film employs
- Respond on a personal level
- Discuss an understanding or a lack of understanding
- Understand that confusion or boredom/lack of interest by be a response
- Be able to recognise experimental approaches and debate the use of film techniques opposed to pre-determined ideas of more formal mainstream cinema
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